Body Memoir Politic: Looking delves into the dichotomy of style versus substance in our culture; the monologues seem to focus on the protagonist’s weight problems, when, in reality, she doesn’t have any major (if any) weight problems. She does have weight issues, however, because our culture (SAMANTHA’s family) harbors an obsession with weight. Thus, the cyclical superficiality reigns over the reality, at least until the beginning of the Official Exit. Theatergoers can then decide what the ending means.
The subtext of the play hints of a racist aspect to our culture. Racism, of course, still exists, albeit in a covert form. Thus, BASHA, the protagonist's half sister, represents the hidden aspects of subtle racism, even in mixed-raced families.
This play could be produced in a format as simple as readers’ theater or as a full theatrical production, complete with music and sophisticated lighting. Even as a full production, the set itself should be simple, with just the few basic props needed by the characters. Any additional dazzle should be accomplished through lighting and music.
The subtext of the play hints of a racist aspect to our culture. Racism, of course, still exists, albeit in a covert form. Thus, BASHA, the protagonist's half sister, represents the hidden aspects of subtle racism, even in mixed-raced families.
This play could be produced in a format as simple as readers’ theater or as a full theatrical production, complete with music and sophisticated lighting. Even as a full production, the set itself should be simple, with just the few basic props needed by the characters. Any additional dazzle should be accomplished through lighting and music.
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Body Memoir Politic: Looking (Copyright 2008, Jennifer Semple Siegel)
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